Non-Representational Art

In the late 1940’s and early ’50’s artists painting in a non-representational manner had no language or means of conveying what they were doing. The intention was to create paintings of substance while eliminating pictorial space and figure/ground relationships. The problem being that not much could be said about what one was doing and what sort of meaning such work might have.

The result of these concerns was a move toward extreme minimalism, appreciation lying, I guess, in a Zen-like meditation on an essentially monochrome canvas. The artist Robert Irwin contemplated this orange painting for weeks moving one or the other horizontal lines up or down fractions of an inch.

Curious to consider how to interpret such a personal activity. No wonder, I suppose, why such concerns confound the viewing public and remain an esoteric interest at best.

Technological Dangers

I’ve been thinking lately about the technology I, like most everyone else, carry around with me in my pocket every day, wondering whether the use of this incredibly useful device might impose opioid-like addiction that some of us may not be able to control. As the small machine, through algorithmic manipulations learns who each of us is it selfishly feeds our needs and desires modifying our realities through sensationalized clickbait and presenting us with the news it knows we want. Demanding more and more of our time and attention the small device controls our ability to function on a daily basis: access to bank accounts, keeping appointments, staying in touch with others and performing necessary tasks depend on its benevolence.

The scifi notion of a controlling artificial intelligence may already be here residing in our pockets and purses.

Vicarious Pleasures

Summers, I spend a lot of time on my back porch from where I have a clear view of my neighbor’s yard. I am able to view the comings and goings of a couple with whom, I in fact, have never exchanged more than a few words in passing. Nevertheless, observation and imagination have provided me insights into these people’s lives.

He, it is clear, is a serious fisherman in possession, as he is, of a state-of-the-art fishing boat with all the electronic gadgets necessary, I suspect, to ensure fishing success. I observe him with his wife whom he embraces as he is about to go off on one of his multi-day fishing trips. He has built his wife heart shaped flower gardens in their front yard that he dutifully tends, weeds and prunes.

In the last few months, though, I haven’t seen the wife, a fact that has me, as I sit here in my lounger, conjuring different scenarios that might explain her absence. Maybe she’s experienced a debilitating illness that has her bedridden or perhaps she’s been institutionalized for mental issues (she’s always appeared a bit unusual) or maybe the neighbor’s attentions toward her were feigned, were means of establishing a potential alibi for her disappearance, that in fact murder had occurred and she was buried in the basement; the adult sons who came by to see mom told she had gone off to live with her sister in Florida.

It’s becoming clear to me I need to find other ways of occupying my mind.

Traveling

I’ve been traveling lately through large unfamiliar cities. Hampered, as I am, by short-term memory loss and an inability to follow directions, the visual glut and auditory din I encounter has me exhausted. I find myself lost almost immediately upon arrival at the train station (or airport or bus terminal) as I try to decipher the abstract metro maps or follow the fine lines of the tram or bus routes on the city directory the friendly information folks handout with a smile. By the time I stumble upon my lodgings and rest up a bit I have to remind myself of the danger of going off without sufficient attention to place and getting lost all over again.
The upside of it all being the realization that people the world over are open, friendly and ready to help a disoriented stranger and are, I think, appreciative that someone would be interested in visiting the place they call home.

Beauty is in the Ephemeral

I’ve been thinking lately about the nature of beauty: about how much determination of the beautiful relies on its fleeting existence.

Some might argue that art captures beauty in permanence, but I would suggest captured beauty relies on context: Michaelangelo’s virgin in his Pieta is beautiful in relation to her youthfulness and suffering. Generally, the beauty of young women relies on the ephemeral nature of their youthfulness. Similarly, determining beauty in the natural world relies on a subconscious realization of changing seasons.

Realizing beauty is an uplifting experience that might not be possible without an awareness of one’s mortality: our ephemeral existence.