Either/Or

In his masterpiece Either/Or Soren Kierkegaard contrasts the moral relativity of the aesthete ‘A’ with the clearly defined moral values of the ethicist Judge Wilhelm. ‘A’ revels in seduction, he pursues women, is attracted to the young, innocent and beautiful girl, whose total commitment he gains through devious manipulation. Then, though, once the quarry is won, interest is lost. The ethicist judge castigates ‘A’ for so shallow a behavior informing him he doesn’t understand the significance of a deep personal relationship, that love and duty to a first love produces a deep bond and a constantly renewing true aesthetic relationship.

It seems pretty clear that K. sees himself in both characters: the break-up with his once betrothed Regine on the one hand and his obsession with the moral rigidity of the pietist religion he was brought up to revere. There’s little doubt he experienced serious psychological conflict that eventually resulted in a ‘leap into the absurd’, a total embrace of Christianity.

I must admit I can’t relate to K’s situation but he does do a really good job of getting me to focus attention on my own personal existential self.

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